Italian audiences hardly embraced these new films. To be shown their country in such stark terms made the majority very unhappy. It even became part of the law: the Andreotti Law (1949), named for its author Giullio Andreotti, offered subsidies for those who followed the neo-realist style in a manner "suitable... to the best interests of Italy," but with the proviso that they avoid the blemishes on Italian life. Legislation had little immediate effect on what was made, though the stories began to reflect the scramble for work and stability that defined this period. Visconti's terrific centers on a daughter and fanatic stage-mamma, the inimitable Magnani, eager to get her modestly talented daughter a spot in a movie. To her husband's dismay, she squeezes every extra penny into lessons and cosmetic improvements for the little girl. Ultimately, the mother all but puts herself on the market to get the recognition she's convinced will make life worth living. Set in a working-class Roman neighborhood, Bellissima gives rare insight into how provincial big-city life could be, each neighborhood a virtual small town, the neighbors sometimes helpful, often petty and jealous of any advantage. Though not traditionally considered a neo-realist film, Bellissima did focus on people's lives in the wake of war, the sense of wanting to better oneself and the struggle to find a way out of the grind of poverty. It becomes yet more poignant in this context.
For many Italians, neo-realist films put images to the ideas of the Resistance. In the film journals Cinema and Bianco e Nero, writers called for a cinema that resembled the verismo (realism) of literature. This had begun as a 19th century literary movement which was expanded by Alberto Moravia, Italo Calvino, Cesare Pavese and Pier Paolo Pasolini, most of whom wrote for - or about - the movies as well. Although philosophical ideas informed Italian neo-realism, it is very much a cinematic creation. As Calvino pointed out, "neo-realists knew too well that what counted was the music and not the libretto." The aim was not to record the social problems but to express them in an entirely new way.
romanticism vs. realism Essays
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differnence between romantic and realism Essay | …
How are these two movements different? Well, I explained a bit in the brief mini-lectures to each section, and you can also check the respective entries in Wikipedia or elsewhere on the web to try and get the idea. The general notion is that one group of artists chooses to focus on a particular side of human experience, particularly on a return to nature, to the independent spirit of man, and often describes archaic or past forms of existence (think Grecian Urn here) in a fanciful way, with a sense of longing. But the realists, they are having none of that. Instead, they will describe life the way it ‘actually is’, in all its bleakness, and often bluntly (that is not to say without creativity, for as you will see in the poetry, it is quite creative.
So for this assignment, I would like you to choose SIXTEEN quotes: eight from the romantic readings, and eight from the realist readings. Do not dwell on any single author too much; spread your selections out among the various texts. Once you have these eight selected, I would like you to do FIVE comparisons. Choose between 2-3 quotes for each comparison — you do not have to use all sixteen quotes (this means you must use at least ten of them (5×2)). Try to choose pairs or trios of quotes that have similar themes; take different stances on the same idea; or have contrasting styles. For example, you might find a pair of quotes in which Keats and Baudelaire talk about love, but both men come up with two very different perspectives on the same issue. Just repeat this process five times and you are all set!
Each of these five comparisons must be of substantial length. Two completed paragraphs for each would be ideal. The important thing here is paying CLOSE attention to the text and trying to understanding as clearly as we can. Don’t overthink things… just understand them on a literal level (what is happening here?)
Essay about Romanticism vs Realsim - 1005 Palabras | …
Realism vs Romanticism Modern-day Realism Realism Time period: 1860-1890 Realism was a reaction to extravagant, romantic ideals characteristic of the late 18th century and early 19th century.