Essay for Orchestra - Wikipedia

It is in his third album, however, that Lehrer makes his strongestpolitical and social commentaries. As explained earlier, themajority of these songs were written for a television show thatfocused on current political events. "Every one of those [song]topics was something that was in the news that week," explained Lehrer. It is in these pieces that wesee the biting humor evident in the introductions on earlier recordsfinally expressed in song. Some of the more caustic examples:

Samuel Barber's Essay for Orchestra, Op

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30/05/2013 · First Essay for Orchestra, Op

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Georges Fourel was born in Grenoble, France in June 19, 1892 of a French father and Italian mother. Fourel studied first at the Municipal Conservatoire of Douai (near Lille in the north of France). This prepared Georges Fourel to gain admission to the Paris Conservatoire. Georges Fourel won the Premier prix in viola at the Conservatoire in the 1913 Concour. Upon graduation, Fourel played viola in about 1913-1914. Fourel then joined the orchestra of in about 1915. It may have been that Fourel would play both Concerts Lamoureux and the Opera, since in that era, orchestral concerts all occurred at the same time on Saturday afternoons, and musicians were not contracted exclusively. During World War 1, Georges Fourel served in the French army, was wounded at Verdun, where he won the Croix de Guerre for valor. In 1918-1920, Georges Fourel played in l'Orchestre des Concerts-Touche and the Concerts de Monte-Carlo. These were small concerts, with none of the Paris halls of the era holding more than about 1500 listeners. As can be seen from the photo of Concerts-Touche, below, less than 1000 could attend.


Barber, Essay for Orchestra No. 1 - YouTube

Georg Henschel, (from 1914, Sir George), was born in Breslau, then part of Prussia (later Germany and now Poland) on February 18, 1850. He was a singer and pianist by training, having studied at the Leipzig Conservatory 1867-1870 and at the Berlin Royal Conservatory (part of Akademie der Künste, Berlin) 1870-1874. Henschel came to Boston in 1881 with his student, a Boston singer named Lillian Bailey (1860-1901), whom he was shortly to marry. Henschel made such a success at one of the Harvard Musical Association concert performances that he caught the attention of the Boston businessman and music lover Major (actually, a Civil War Colonel) Henry Lee Higginson (1834-1919). It had been Henry Lee Higginson's idea for some time to create a symphony orchestra in Boston which would reach the level of the great orchestras of Europe. Mr. Higginson organized the Boston Symphony Orchestra Association in 1880, facilitated by his guarantee of the orchestra finances. The result was the first BSO season in 1881-1882, with George Henschel as Music Director.